What am I? Who am I? Where am I?

My photo
ART is a powerful LANGUAGE. It communicates to everyone and anyone. It has the ability to depict personal emotions as well as concerns unknown to anyone in the most truthful manner but yet on the other hand, not being literal which therefore allow the audiences to perceive it in accordance to their knowledge. The face has always been an interesting form to me as everyone has got his/her own face. Often, the face shows the history and background of oneself. To put up a front, to disguise, to apply make up are examples of self concealed. One will recognised the smiling face of a man constantly throughout my artworks. Some wonders if the smile is a reflection of complete joy, in a state of total denial or maybe to disguise anxiety. Perhaps it is a reflection of total pleasure or yet it might just be the laugh of an idiot. By restricting my style, I self imposed limits, allowing communication to audiences on a wide subject.

Saturday, August 28, 2010



Saatchi's masterstroke

This could be the biggest art news story of the year - Charles Saatchi, the man who has been at the helm of modern British art for over two decades and single-handedly wrangled some of the best talents in the nation, has just announced he is handing the reigns over to us, the British public.

Housed in the Duke of York HQ off the Kings Road, the 70,000ft Saatchi Gallery and its 200 plus works of art will be known as the Museum of Contemporary Art London, once Saatchi retires. Among the works (estimated to be worth £25m) are pieces from GQ's Feng Shui editor Tracey Emin, the Chapman Brothers, Grayson Perry and artwork from Saatchi's recent exhibits of Indian and Chinese art. The move promises to leave the nation unburdened from costs, with the museum continuing to foot the bill. While the Tate Modern, Saatchi's main rival, is busy cleaning up its public image after demonstrators dumped oil outside the South Bank gallery in protest over its BP affiliations, the creation of MOCA London might mark a new age of British art.

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